December 2, 2011
CHAPMAN KIP THEATRE AWARDS AT BATS THEATRE!
Mary Laine posted 11 Nov 2011, 12:04 PM / edited 2 Dec 2011, 10:52 AM
The fun has just begun! There will be 20 awards given out on the night, plus the most coveted “lifetime achievement” award. It’s people’s choice so get your votes in to have your say! ps. Don’t forget to like us on facebook to get the latest and greatest news!
Just copy and paste the categories and type in your nominations.
The Theatreview Award for Best Ensemble Acting of the Year:
The Play Press Award for Best Pash of the Year:
The Out of Bounds Sounds Award for Best Break-up of the Year:
The Michael and Sharon Wray Award for Best Entrance of the Year:
The BATS Theatre Award for Best Poster of the Year:
The Orchard Studios Award for Best Cross Gender Acting of the Year:
The Storybox Award for Best Accent of the Year:
The Playmarket Award for Best Line in a Kiwi Play:
The Hair of the Dog Productions Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year:
The APRA Award for Best Singing in a Play:
The Award for Best Dancing in a Play:
The Costume Cave Award for Best Costume of the Year:
The Award for Best Unscripted Moment of the Year:
The Award for Best Review Quote of the Year:
The Armstrong Creative Award for Best Stage Manager of the Year:
The Rebecca Selway Award for Best Death of the Year:
The Emerging Arts Trust Award for Best Newcomer of the Year:
The Kath Field and Phil Reed Memorial Award for Best Actor/Actress playing a Political Figure in an Election Year:
The Cuba Creative Award for Biggest Fight of the Year:
Robbie Ellis posted 11 Nov 2011, 01:40 PM
The Theatreview Award for Best Ensemble Acting of the Year:
Everybody surrounding Phil Grieve in Slouching Towards Bethlehem
The Award for Best Pash of the Year:
James Tito & Salesi Le’ota as Hone & Hilda Harawira in Public Service Announcements
The BATS Theatre Award for Best Poster of the Year:
Death by Cheerleader
The Award for Best Cross Gender Acting of the Year:
Salesi Le’ota as Hilda Harawira in Public Service Announcements
The Award for Best Line in a Kiwi Play:
Benjamin Teh in The First Asian A* B*: “Haven’t I told you anything about Chinese mothers? You don’t tell them anything they don’t need to know.”
The Award for Best Review Quote of the Year:
Caoilinn Hughes on yours truly in the New Zealand Improv Festival: “…sure as hell better than an ironic rimshot.”
The Award for Best Actor/Actress playing a Political Figure in an Election Year:
Phil Grieve as Robert Muldoon in Slouching Towards Bethlehem
The Award for Biggest Fight of the Year:
John Key reading a textbook in The Engine Room.
julia truscott posted 13 Nov 2011, 09:57 PM
The Award for Best Accent of the Year: Jamie McCaskill as Uncle Shane in Party with the Aunties
Mary Laine posted 14 Nov 2011, 12:09 PM / edited 14 Nov 2011, 02:03 PM
For a list of Wellington shows from 2011, see our Chapman Kip Awards at BATS Theatre on FACEBOOK. Like us! You know you wanna.
Kris Wehipeihana posted 14 Nov 2011, 03:52 PM
The Theatreview Award for Best Ensemble Acting of the Year: Awhi Tapu
The Award for Best Break-up of the Year: The National Party and Jack Marshall (Andrew Goddard)in Slouching Toward Bethlehem
The Michael and Sharon Wray Award for Best Entrance of the Year: Byron Coll as Spare Personin The spy who wouldn’t die again
The BATS Theatre Award for Best Poster of the Year: Eight
The Award for Best Cross Gender Acting of the Year: Josephine Stewart-Tewhiu as Jason in Chalk
The Award for Best Accent of the Year: Darlene Mohekey as Turuturu Pukumimiin The spy who wouldn’t die again
The Award for Best Singing in a Play: Jamie McCaskill and Kali Kopae in He Reo Aroha
The Costume Cave Award for Best Costume of the Year: The designer of the dress in Drowning in Veronica Lake
The Award for Best Death of the Year: Aaron Cortesi in Death and the Dreamlife of Elephants
The Award for Biggest Fight of the Year: Hon Chris Finlayson and John Smythe (too soon?) Okay, David Young (Hamlet) and Theo Taylor (Laertes) in Hamlet
The RSPCA* Award for Best Cross Species Acting: Paul Waggott as Floyd in Death and the Dreamlife of Elephants
*N.B. I don’t have any connection with the RSPCA at all.
Michael Wray posted 17 Nov 2011, 12:16 AM
The Theatreview Award for Best Ensemble Acting of the Year: Death & Dreamlife of Elephants.
The Michael and Sharon Wray Award for Best Entrance of the Year: Byron Coll in Heat – it’s hard to top being a painted naked penguin. Also, Byron Coll’s robot man descending from the Downstage rafters in nothing but underpants and fake teeth in The Spy Who Wouldn’t Die Again.
The Award for Best Accent of the Year: Tim Spite’s series of accent changes as he was successfully unmasked as a double, then triple, then quadruple, then whatever ten-uple is agent in The Spy Who Wouldn’t Die Again.
The Award for Best Line in a Kiwi Play: “My arch nemesis, a teapot!” Love in the Time of Vampires.
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Jean Sergeant!
The Award for Best Singing in a Play: Aroha White in The Bird Song. Simply mesmerising.
The Costume Cave Award for Best Costume of the Year: Veronica Lake – a dress that doubles as the set.
The Award for Best Unscripted Moment of the Year: Bryony Skillington. When an audience member entered the Bats auditorium through the fire exit door at the side to take their a seat in the middle of her monologue, only moments after a late entrance through the more usual door by audience member, Bryony went a tad off script in Christ Almighty with an exasperated – “what the fuck is going on?!”
The Award for Best Stage Manager of the Year: Hannah Nielsen-Jones for No Taste Forever. It looked like she had her work cut out controlling that lot and the post-show clean-up!
The Award for Best Death of the Year: Downstage Theatre because, in line with the traditions of dramatic deaths, the resurrection is coming!
The Award for Best Newcomer of the Year: Hannah Banks – Good Acting (Rubber Room, Elephants, Young & Hungry), Good Producing (Engine Room), Good Directing (Everything is Surrounded by Water). And that’s just the last 11 months in a year she also graduated!
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Three nominations: Allen Henry’s Winston Peters (PSA), Phil Grieve’s Muldoon (Slouching) and Harriet Cowan’s Helen Clark (Engine Room). Tough one to separate.
The Award for Biggest Fight of the Year: No Taste Forever. The biggest cast of the year. The biggest food fight ever. Messy. In every way. Never has the front row of Bats been so scary.
I need more time to think about the other categories, but a final one:
And a moment’s silence for The Box in Petone. Unfortunately, it didn’t live long but it hosted Paul Barrett’s Tic Tic, Ahi Karunaharan’s The Mourning After and Thin Air in the Fringe. Good on Geraldine Brophy and company for taking the chance on setting it up. Sharon and I look forward to supporting your next venture.
Steve Dedalus posted 23 Nov 2011, 05:15 PM
APRA Award for Best Song in a NZ play: “The Little Corporal”, Brendan Wright, Slouching Toward Bethlehem.
Kris Wehipeihana posted 24 Nov 2011, 10:26 AM
The Costume Cave Award for Best Costume of the Year: Dame Kate Harcourt’s final costume in Sex Drive was something else.
Bob Doran posted 24 Nov 2011, 11:55 AM
Bats Theatre Award for Best Poster of the Year: clearly Toi Whakaari for The Roaring Girl. Utterly fabulous.
Brianne Kerr posted 25 Nov 2011, 02:58 PM
The Theatreview Award for Best Ensemble Acting of the Year: Cast of Sheep
The Award for Best Break-up of the Year: BATS & the Buffs
The Michael and Sharon Wray Award for Best Entrance of the Year: Simon in Wake Less
The Award for Best Cross Gender Acting of the Year: Salesi Le’ota in PSA
The Award for Best Accent of the Year: Natalie Medlock – I am Yeti
The Award for Best Line in a Kiwi Play: “mate” – I am Yeti
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Ms Jean Sergent
The Award for Best Singing in a Play: Puppet Song – Slouching Toward Bethlehem
The Award for Best Dancing in a Play: Java Dance – Rise (flour dance)
The Award for Best Unscripted Moment of the Year: Natalie Medlock – I am Yeti
The Award for Best Review Quote of the Year: “(though perhaps too thin?)” – Hannah Smith, Theatreview
The Award for Best Stage Manager of the Year: Hannah Nielsen-Jones – No Taste Forever
The Award for Best Death of the Year: Alex Greig – Julius Caesar (as Brutus)
The Award for Best Newcomer of the Year: Hannah Banks
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Phil Grieve – Muldoon
The Award for Biggest Fight of the Year: Food Fight – No Taste Forever
Freya Desmarais posted 25 Nov 2011, 08:28 PM
The Theatreview Award for Best Ensemble Acting of the Year: Slouching Toward Bethlehem
The Award for Best Break-up of the Year: Claire O’Loughlin and Eli Kent in This Rugged Beauty (then subsequent reunion)
The Michael and Sharon Wray Award for Best Entrance of the Year: WITHOUT A DOUBT Uther Dean in Everything Is Surrounded By Water (6 Little Plays 4 Christchurch)
The Award for Best Cross Gender Acting of the Year: Erin Banks as Gerry Brownlee in The Engine Room
The Award for Best Accent of the Year: Robbie Tripe’s sexy drawl in Too Darn Hot!
The Award for Best Line in a Kiwi Play: “Phil Goff! Phil Goff?! Leader of the Labour Party?! HAHAHAHA.” – The Engine Room
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Jean Sergent
The Award for Best Singing in a Play: Theo Taylor as Autolycus in The Winter’s Tale
The Award for Best Dancing in a Play: The entirety of Rise
The Award for Best Unscripted Moment of the Year: Erin Banks in The Engine Room “Bronaaagh! Boooner!”
The Award for Best Stage Manager of the Year: Julia Campbell for wrangling 30+ participants in 6 Little Plays 4 Christchurch
The Award for Best Death of the Year: William O’Neill (eyes skyward) – Julius Caesar (as Brutus)
The Award for Best Newcomer of the Year: Lauren Gibson in August and Hamlet
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Phil Grieve – Muldoon
The Award for Biggest Fight of the Year: The Lead Wait – probably doesn’t get any more awkward than that.
Jessica Jane Prince posted 26 Nov 2011, 11:35 AM
The PLAYMARKET Award for Best Line in a Kiwi Play: From Thomas Rimmer’s one man show WRITER’S BLOCK – “The only thing that pisses me off more are those egotistical, pretentious and just plain annoying actors who write one-man shows for themselves because they can’t get work anywhere else”.
Amanda Sheehy posted 29 Nov 2011, 08:53 AM
The Theatreview Award for Best Ensemble Acting of the Year: Tasher Desh: Kingdom of Cards
The BATS Theatre Award for Best Poster of the Year: Tasher Desh: Kingdom of Cards
The Award for Best Dancing in a Play: The Bone Feeder.
The Costume Cave Award for Best Costume of the Year: Tasher Desh – Kingdom of Cards
The Award for Best Newcomer of the Year: Jenny Li, Tasher Desh: Kingdom of Cards
Uther Dean posted 1 Dec 2011, 09:36 PM / edited 1 Dec 2011, 09:47 PM
The Theatreview Award for Best Ensemble Acting of the Year:
Awhi Tapu
The Out of Bounds Sounds Award for Best Break-up of the Year: Helen Clark and New Zealand in The Engine Room
The Michael and Sharon Wray Award for Best Entrance of the Year: The backlit Nick Zwart, Clare Wilson and Brigid Costello in Six Little Plays for Christchurch: Remains
The BATS Theatre Award for Best Poster of the Year: Closer
The Award for Best Cross Gender Acting of the Year: Erin Banks as Gerry Brownlee in The Engine Room
The Storybox Award for Best Accent of the Year: Simon Vincent as any Cuban character in Our Man in Havana
The PLAYMARKET Award for Best Line in a Kiwi Play: ‘I am sad because of my dead or dying child.’ – 90% of Kiwi plays this year (and every year)
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Jean in Slouching Towards Bethlehem
The APRA Award for Best Singing in a Play: Gareth Hobbs in TIN DER BOX
The Award for Best Dancing in a Play: All of Rise, obvs.
The Costume Cave Award for Best Costume of the Year: The dress/lake in Drowning in Veronica Lake
The Armstrong Creative Award for Best Stage Manager of the Year: Julia for Six Little Plays
The Award for Best Death of the Year: Paul Waggott in think of all the fun you’ll find in the rubber room
The Emerging Arts Trust Award for Best Newcomer of the Year: I second Hannah Banks. But I would.
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Alex Greig surely by quantity alone.
The Cuba Creative Award for Biggest Fight of the Year: The whole second act at the dinner table in August: Osage County
Eleanor Bishop posted 2 Dec 2011, 12:37 AM
The Theatreview Award for Best Ensemble Acting of the Year: Awhi Tapu
The Award for Best Pash of the Year: Erin Banks and Ricky Dey in TINDERBOX – the ol’ Kiss and steal.
The Award for Best Break-up of the Year: Rachel Baker and Eli Kent in This Rugged Beauty
The BATS Theatre Award for Best Poster of the Year: This Rugged Beauty – the one with Claire and Simon.
The Award for Best Cross Gender Acting of the Year: Erin Banks as Gerry Brownlee in The Engine Room.
The Award for Best Line in a Kiwi Play: “Journeys” Wake Less, Binge Culture
The Award for Best Singing in a Play: Contrite Elegant Rebel – Porcelaintoy/Theatre Militia
The Costume Cave Award for Best Costume of the Year: Dame Kate Harcourt, Sex Drive. There are no words.
The Award for Best Unscripted Moment of the Year: “Ralph” James Winter calling the actors real name instead of the character name – Sketch.
The Award for Best Stage Manager of the Year: Olivia Mahood, TINDERBOX. She raises the trapdoor and bloodies everyone up, plus does secret hidden OHP manipulation!
The Award for Best Death of the Year: Leon Wadham in TINDERBOX. He plays 4 different characters that all die!
The Award for Best Newcomer of the Year: Hannah Banks. For being awesome.
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Hariette Cowan as Helen Clark. Tears!
The Award for Biggest Fight of the Year: “Eat your fish bitch!” Michelle Amas & Jennifer Ludlam in August: Osage County.
Phil Grieve posted 2 Dec 2011, 10:47 AM / edited 2 Dec 2011, 12:01 PM
The Theatreview Award for Best Ensemble Acting of the Year: Party with the Aunties
The Play Press Award for Best Pash of the Year: Barak Obama and Hu Jintao – Benetton “Unhate”
The Out of Bounds Sounds Award for Best Break-up of the Year: The Rena?
The Michael and Sharon Wray Award for Best Entrance of the Year: Salesi Leota in Julius Caesar
The BATS Theatre Award for Best Poster of the Year: Sheep
The Award for Best Cross Gender Acting of the Year: Harriet Cowan as Steven Joyce in Engine Room
The Storybox Award for Best Accent of the Year: Gavin Rutherford/Nick Dunbar – Russell Norman in PSA
The PLAYMARKET Award for Best Line in a Kiwi Play: “Where would we be without sandwiches” – Slouching…
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Sergent Jean
The APRA Award for Best Singing in a Play: Matariki Whatarau and Cian Elyse White (Cruise) – Party with the Aunties
The Award for Best Dancing in a Play: Rob Muldoon and Mickey Mouse – Slouching…
The Costume Cave Award for Best Costume of the Year: Briony Skillington’s Onesy in PSA
The Award for Best Unscripted Moment of the Year: “Ralph” James Winter in Sketch
The Award for Best Review Quote of the Year: “Disasters are not unknown in theatre too” Death by Cheerleader
The Armstrong Creative Award for Best Stage Manager of the Year: Engine Room (or did they do it themselves?)
The Award for Best Death of the Year: Sketch
The Emerging Arts Trust Award for Best Newcomer of the Year: Leon Wadham
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Harriet Cowan – Engine Room
The Cuba Creative Award for Biggest Fight of the Year: The Dinner Scene in Sausage County
Clare Wilson posted 2 Dec 2011, 10:50 AM
The Theatreview Award for Best Ensemble Acting of the Year: Slouching Toward Bethlehem
The Out of Bounds Sounds Award for Best Break-up of the Year: Rachel Baker and Eli Kent in This Rugged Beauty
The Michael and Sharon Wray Award for Best Entrance of the Year:Uther Dean in Everything is Surrounded by Water – 6 little plays for Christchurch
The BATS Theatre Award for Best Poster of the Year: Wakeless
The Award for Best Cross Gender Acting of the Year: Erin Banks as Don Brash in The Engine Room
The Storybox Award for Best Accent of the Year: Sophie Hambleton – when the rain stops falling
The PLAYMARKET Award for Best Line in a Kiwi Play: ‘Journeys’ Wakeless
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Jean Sergeant!!!
The APRA Award for Best Singing in a Play: Elizabeth M Judd – Contrite Elegant Rebel – Theatre Militia
The Award for Best Dancing in a Play: Rise
The Costume Cave Award for Best Costume of the Year: The two seagull outfits in Idiots: Back to School
The Armstrong Creative Award for Best Stage Manager of the Year: Julia Campbell – 6 little plays for Christchurch
The Award for Best Death of the Year: William O’Neill in Julius Caesar
The Emerging Arts Trust Award for Best Newcomer of the Year: Hannah Banks – Death and The Dream life of Elephants and think of all the fun you’ll find in the rubber room
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Harriette Cowan – Helen Clark
The Cuba Creative Award for Biggest Fight of the Year: Theo Taylor and David Young in Hamlet
Andrew Goddard posted 2 Dec 2011, 11:53 AM
The Award for Best Pash of the Year: Phil Grieve and Dasha Fedchuk in Slouching Toward Bethlehem.
The Michael and Sharon Wray Award for Best Entrance of the Year: Salesi as Dionysus in Half an Hour In Heaven Before The Devil Knows You’re Dead.
The Award for Best Cross Gender Acting of the Year: Bryony Skillington as Rodney Hide
The Award for Best Accent of the Year: Bryony Skillington as Tariana Turia
The Award for Best Line in a Kiwi Play: David Lawrence describing BATS as “this sacred space of theatre, religion and plays about dead babies” in Half an Hour In Heaven Before The Devil Knows You’re Dead
The Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year: Jean Sergent!
The Award for Best Singing in a Play: The Ben & Andrew Show (how self-aggrandising is that?) for mumbling inaudibly and out of tune lyrics they didn’t know to all the songs before & during the interval of Julius Caesar
The Award for Best Dancing in a Play: I second Robert Muldoon and Mickey Mouse in Slouching Toward Bethlehem.
The Costume Cave Award for Best Costume of the Year: Salesi in just about anything this year – as Hone Harawira’s wife in PSA, Dionysus in Half an Hour In Heaven Before The Devil Knows You’re Dead, and as Colenso in Slouching Toward Bethlehem
The Award for Best Stage Manager of the Year: Hannah Nielsen-Jones for No Taste Forever!
The Award for Best Actor/Actress playing a Political Figure in an Election Year: Phil Grieve as Lange, Muldoon and Caesar is pretty deserving, but really for sheer number, Alex Greig as Bill English (PSA), Trevor Mallard (PSA), Len Brown (PSA), George Gair (Slouching Toward Bethlehem), John Key (The Engine Room) and Marcus Brutus (Julius Caesar)?
Mary Laine posted 2 Dec 2011, 01:43 PM / edited 2 Dec 2011, 02:09 PM
Here it is!! The moment you’ve been waiting for! Chapman Kip Award Winners will be announced tonight at BATS THEATRE at 10:30pm.
Theme for the night is 1950’s SCI FI. See you there!
2011 CHAPMAN KIPS AWARD NOMINEES!!
The Theatreview Award for Best Ensemble Acting of the Year
-AWHI TAPU
-SLOUCHING TOWARD BETHLEHEM
-SHEEP
The Play Press Award for Best Pash of the Year
-JAMES TITO & SALESI LE’OTA IN PSA
-ERIN BANKS & RICKY DEY IN TINDERBOX
-PETER JACKSON & BATS THEATRE
The Out of Bounds Sounds Award for Best Break-up of the Year
-RACHEL BAKER & ELI KENT IN THIS RUGGED BEAUTY
-HELEN CLARK & NEW ZEALAND IN THE ENGINE ROOM
-BATS & THE BUFFS
The Michael and Sharon Wray Award for Best Entrance of the Year
-BRYON COLL IN THE SPY WHO WOULDN’T DIE AGAIN
-UTHER DEAN IN 6 LITTLE PLAYS FOR CHRISTCHURCH
-SALESI LE’OTA IN JULIUS CEASAR
The BATS Theatre Award for Best Poster of the Year
-SHEEP
-WAKELESS
-TOI WHAKAARI’S THE ROARING GIRL
The Orchard Studios Award for Best Cross Gender Acting of the Year
-BRYONY SKILLINGTON AS RODNEY HIDE IN PSA
-ERIN BANKS AS GERRY BROWNLEE IN THE ENGINE ROOM
-SALESI LE’OTA AS HILDA HARAWIRA IN PSA
The Storybox Award for Best Accent of the Year
-ROBIN KERR FOR VARIOUS ROLES IN TINDEROX
-ROBBIE TRIPE IN TOO DARN HOT
-TIM SPITE IN THE SPY WHO WOULDN’T DIE AGAIN
The Playmarket Award for Best Line in a Kiwi Play
-“JOURNEYS” IN WAKELESS
-“MY ARCH NEMESIS, A TEAPOT!” IN LOVE IN THE TIME OF VAMPIRES
-“BRO, YOU GOTTA CALMDOWN—YOU GOT THE BEIGE RAGE MAN” IN PSA
The Hair of the Dog Award for the Best Actress to play a feisty socialist grandmother in the 1930’s and a well-dressed gay man in the 1980’s in a play about Robert Muldoon…ahem…of the Year
-JEAN JEANY SERGENT!
The APRA Award for Best Singing in a Play
-GARETH HOBBS IN TINDERBOX
-AROHA WHITE IN BIRDSONG
-ELIZABETH JUDD IN CONTRITE ELEGANT REBEL
The Award for Best Dancing in a Play
-CAST OF RISE
-BRYONY SKILLINGTON AS RODNEY HIDE IN PSA
-PHIL GRIEVE AS ROBERT MULDOON WITH MICKEY MOUSE IN SLOUCHING TOWARD BETHLEHEM
The Costume Cave Award for Best Costume of the Year
-DRESS/LAKE IN DROWNING IN VERONICA LAKE
-BRYONY SKILLINGTON’S ONESY IN PSA
-DAME KATE HARCOURT IN SEX, DRIVE
The Award for Best Unscripted Moment of the Year
-BRYONY SKILLINGTON IN CHRIST ALMIGHTY—“WHAT THE FUCK IS GOING ON?”
-“RALPH” JAMES WINTER IN SKETCH CALLING ACTOR BY REAL NAME
-ERIN BANKS IN ENGINE ROOM—“BRONAAAGH! BOOOONER!”
The Award for Best Review Quote of the Year
-“SURE AS HELL BETTER THAN A RIM SHOT”—CAOILYNN HUGHES, REGARDING ROBBIE ELLIS
The Armstrong Creative Award for Best Stage Manager of the Year
-HANNAH NEILSON-JONES FOR NO TASTE FOREVER
-JULIA CAMPBELL FOR 6 LITTLE PLAYS FOR CHRISTCHURCH
The Rebecca Selway Award for Best Death of the Year
-WILLIAM O’NEILL AS BRUTUS IN JULIUS CAESAR
-PAUL WAGGOT IN THINK OF ALL THE FUN YOU’LL FIND IN THE RUBBER ROOM
-ALEX GREIG AS BRUTUS IN JULIUS CAESAR
The Emerging Arts Trust Award for Best Newcomer of the Year
-HANNAH BANKS
-LEON WADHAM
-LAUREN GIBSON
The Kath Field and Phil Reed Memorial Award for Best Actor/Actress playing a Political Figure in an Election Year
-ALLAN HENRY AS WINSTON PETERS IN PSA
-PHIL GRIEVE AS ROBERT MULDOON IN SLOUCHING TWARD BETHLEHEM
-HARRIET COWAN AS HELEN CLARK IN ENGINE ROOM
The Cuba Creative Award for Biggest Fight of the Year
-DINNER SCENE IN OSAGE COUNTY
-FOOD FIGHT IN NO TASTE FOREVER
-CHRIS FINLAYSON AND JOHN SMYTHE IN JIHAD
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