Station-based promenade play could go further

Even as I write, there sounds over the city a joyous ca...

Review by Terry MacTavish - October 23, 2006, of the production: Lines of Fire

Songs in the way second time round

Fourteen years ago I raved about the world premiere of ...

Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - March 22, 2007, of the production: Sunset Cafe

A golden evening of theatre

Home Land is a beautiful play and in Jane Waddell’s l...

Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - October 15, 2007, of the production: Home Land

Richly rewarding exposé of the way it is

... Yet Gary Henderson’s deeply poignant Home Land â€...

Review by John Smythe - October 15, 2007, of the production: Home Land

Whodunit? “You done it.”

... Which still leaves much to say about the play. Firs...

Review by Peter Hawes - May 12, 2008, of the production: An Unseasonable Fall of Snow

Compelling hostage drama with sharp political edge

Mo & Jess Kill Susie is a play about differences that c...

Review by Ian Anderson - January 13, 2010, of the production: Mo and Jess Kill Susie

A killer play

Gary Henderson’s play about two women who kidnap a po...

Review by Lynn Freeman - January 20, 2010, of the production: Mo and Jess Kill Susie

An Intense Night of Intimate Portrayal

The tension is high from the word go, with a physical f...

Review by Mel Dodge - February 7, 2011, of the production: Skin Tight

Actors carry off testing dual roles

Jane Waddell and her cast and crew (particularly Chris ...

Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - February 27, 2012, of the production: PENINSULA

Brazenly intellectual, expressionistic, blunt, emotionally rich and splendidly performed

Tiny Spectacle/Shitty Lyricism is an evening of two sho...

Review by Lexie Matheson ONZM - September 12, 2012, of the production: Tiny Spectacle / Shitty Lyricism