Station-based promenade play could go further
Even as I write, there sounds over the city a joyous ca...
Review by Terry MacTavish - October 23, 2006, of the production: Lines of Fire
Songs in the way second time round
Fourteen years ago I raved about the world premiere of ...
Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - March 22, 2007, of the production: Sunset Cafe
A golden evening of theatre
Home Land is a beautiful play and in Jane Waddell’s l...
Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - October 15, 2007, of the production: Home Land
Richly rewarding exposé of the way it is
... Yet Gary Henderson’s deeply poignant Home Land â€...
Review by John Smythe - October 15, 2007, of the production: Home Land
Whodunit? “You done it.”
... Which still leaves much to say about the play. Firs...
Review by Peter Hawes - May 12, 2008, of the production: An Unseasonable Fall of Snow
Compelling hostage drama with sharp political edge
Mo & Jess Kill Susie is a play about differences that c...
Review by Ian Anderson - January 13, 2010, of the production: Mo and Jess Kill Susie
A killer play
Gary Henderson’s play about two women who kidnap a po...
Review by Lynn Freeman - January 20, 2010, of the production: Mo and Jess Kill Susie
An Intense Night of Intimate Portrayal
The tension is high from the word go, with a physical f...
Review by Mel Dodge - February 7, 2011, of the production: Skin Tight
Actors carry off testing dual roles
Jane Waddell and her cast and crew (particularly Chris ...
Review by Laurie Atkinson [Reproduced with permission of Fairfax Media] - February 27, 2012, of the production: PENINSULA
Brazenly intellectual, expressionistic, blunt, emotionally rich and splendidly performed
Tiny Spectacle/Shitty Lyricism is an evening of two sho...
Review by Lexie Matheson ONZM - September 12, 2012, of the production: Tiny Spectacle / Shitty Lyricism