EASY LIVING Life in a Small Town

Gryphon Theatre, 22 Ghuznee Street, Wellington

16/02/2017 - 19/02/2017

NZ Fringe Festival 2017 [reviewing supported by WCC]

Production Details



A slice-of-life celebration of small town simplicity, where everyone knows your name, loves your community, and shares in the ups and downs of life.  

Easy Living is a character-based journey through the many personalities from home, for the small town kid in all of us. From the award winning company that brought you 10 Things I Hate About Us (Best Improv NZ Fringe 2015), Admen, Suddenly! A Musical, and the regular comedy night Playshop Live at BATS Theatre, this is a new work for anyone who’s ever come from anywhere and wants to go back.

PlayShop is a Wellington-based performance company that aims to make spontaneous, thrilling theatre. We create opportunities for people to experience the joy of playful interaction, through theatre, storytelling, education, and improvisation. We are risk-takers, open to the potential of every moment, so that actor and audience share meaningful stories that arise from the present, and stay in memory for time to come.

Gryphon Theatre, 22 Ghuznee St, Te Aro, Wellington 6011
16-18 Feb, 6.30pm
19 Feb, 5.30pm.
BOOKINGS: fringe.co.nz
TICKETS: $16/$14/$12  



Theatre , Improv ,


1 hr

A gentle poke at small towns

Review by Margaret Austin 18th Feb 2017

Playshop Improvisation, performing at the Gryphon, have chosen a subject we can all relate to – small town New Zealand.

When asked at the show’s outset what relevant images come to mind, audience members are quick to come up with gangs, gossip, huge icecreams, bogans, sheep, cemeteries. When the request is for a most despised animal, someone suggests octopus, and a question about an unusual geographical location elicits crevice.

In such a manner is the show engendered, with the additional prompts of signs on the back curtain such as Town Centre, Bank, Church, Community Hall. The cast of twelve gaily take up the challenge, and give us an experience of the inhabitants and events in Octopus Crevice – somewhere in New Zealand.

“Once you start specialising, it’s best not to go back to generalising,” is the sage advice of a man who has made his mark sanding.

A very proper mother recommends that her sons not look at each other while eating, and further insists that they refer to more than one octopus correctly – as octopi.

“You’re worth every sausage here – the tomato sauce, the onions, all the burnt bits,” declares a hopeful lover at a barbecue. 

As is usual with an improvised performance, the audience takes delight in the clearly fresh nature of the dialogue. Serious themes, such as social assimilation, get a look in: “You don’t need to be a puzzle piece to fit in here,” one character assures another.

The show doesn’t really have a structure – its nature precludes that – but gathers momentum when cast members begin to urge each other off the stage. “Are you almost done?” is hissed from the wings, intended to hurry up a couple of over-stayers. 

The action culminates in a meeting for citizens in the Community Hall – held to decide what “big thing” should be erected to represent the town. If we hadn’t recognised ourselves up to now, we can’t help but do so at this point. Battles rage over what the symbol should be. “No one likes tall poppies – let’s have a short one,” suggests someone. Someone else storms out. Consensus is reached on a steak and kidney pie.

The show is a gentle poke at small towns. We can be thankful that small towns don’t necessarily mean small minds. And that small towns can act as a microcosm of a wider society. 

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