Kinky Boots
Regent On Broadway, Palmerston North
06/09/2024 - 21/09/2024
Production Details
Music and lyrics by Cyndi Lauper and book by Harvey Fierstein. Based on the 2005 British film "Kinky Boots", written by Geoff Deane and Tim Firth.
Directed by Richard Neame
Choreographer Nicola Field
Musical Director Catherine Carr
Produced in New Zealand by G & T Productions Ltd & The Amici Trust.
Produced in Palmerston North by Act Three Productions
Based on the 2005 film and inspired by a true story, KINKY BOOTS follows Charlie Price an aspiring young businessman who is forced to give up his dreams of living the London city life in order to save his late father’s family business in Northern England.
When Charlie suddenly inherits his father’s bankrupt shoe factory, he finds unexpected inspiration in the form of Lola a fabulous entertainer in need of some sturdy stilettos. As Charlie and Lola work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.
The Regent on Broadway, Palmerston North
Opening night: Friday 6 September 2024 7.30pm
7.30pm Sat 7 Sep 2024
4pm Sun 8 Sep
7.30pm Thu 12 Sept & Fri 13 Sept 2024
2pm Sat 14 Sept
7.30pm Sat 14 Sept
4pm Sun 15 Sept (accessibility show)
7.30pm Wed 18 Sept, Thu 19 Sept, Fri 20 Sept, Sat 21 Sept 2024
Booking details and ticket prices at: https://actthree.co.nz/shows/current-show
SIMON/LOLA - Paul Fagamalo
CHARLIE PRICE - Lindsay Yeo
LAUREN - Tamzin Price
NICOLA - Milana Mariu-Reade
DON - Jayden Colban
LAUREN ALTERNATE - Peta Lynch
PAT - Jo Sale
TRISH - Erica Ward
GEORGE - Steve Jenkins
HARRY - Kieran Murphy
MR PRICE - Stephen Paul Gregory
SIMON SNR - Jon Samia
YOUNG SIMON - Manawa Te Wiki/ Charleigh Skelton-Morris
YOUNG CHARLIE - Jackson Kingston/Oscar James
ANGELS
Alex Dinniss, Clio Exconde, Finn Davidson, Hannah Newman, Matthew Lyne, Cam Baker
ENSEMBLE
Dalton Watson, Danielle Macdonald, Hawi Pere, Katte Johnston, Katie Clark, Lorna Stanley, Lottie Perry, Peta Lynch, William Lyne,
BACKING VOCALISTS
Emilia Vibart, Ngamarama Tuariki
Community-based theatre , Musical , Theatre ,
Approx. 2 hours 30 minutes including 20 min interval
These boots be made for loving and that’s just what you’ll do
Review by Richard Mays 08th Sep 2024
Ah truly, there’s no business quite like shoe business. Feel-good and foot-stomping, Kinky Boots in the Regent on Broadway kicks considerable butt with its free-flowing exuberance and energy. On opening night, the show also eventually managed to coax a standing ovation from large portions of a notoriously difficult-to-impress Palmy audience. That’s just one of the achievements this production is entitled to chalk up.
As interpreted by Girls Just Wanna Have Fun chum Cyndi Lauper, the musical tells how a foundering, down-at-heel (ahem) Northampton, England shoe factory attained a market ’re-boot’. Based on a true story, Lauper and her confederates also manage to put a new spin on a couple of tales by the Brothers Grimm, mashing together elements of The Elves and the Shoemaker and Cinderella.
A multi award-winning musical, Kinky Boots became a stage hit early last decade, so it’s impressive to see it in full riot on stage here so soon. And as a prelude to October’s Palmy Drag Fest, its season couldn’t be more timely.
When against his wishes and better judgement Charlie Price becomes responsible for restoring the fortunes of a failing family footwear firm, his attempts to defend a woman from a London street mugging is serendipitous. The ‘woman’ is none other than Lola, a savvy drag-queen cabaret diva who, it just so happens, has problems finding flashy but durable high-heeled boots.
Charlie takes Lola back to Northampton to design a rescue range of sexy thigh-high show-biz heels in time for the Milan Fashion Show. Let’s just say that this course of vocational true love doesn’t run smooth. The show explores the ups and many downs of this relationship, as well as the reactions of Charlie’s job-threatened working-class factory ‘elves’, and also from Nicola – his ambitious go-getter girlfriend. Turns out, Charlie and Lola have more in common than they realise – both are resisting the demands and expectations of their pushy fathers.
Now in any Cinderella story, there has to be a fairy godmother, and the magic here comes from company professional Paul Fagamalo as Lola – aka “Simon from Clacton”. “Braggaty cissy boy” Lola, the trained son of a prize-fighter, has carved out a successful niche in the world of drag entertainment.
Channelling an inner Tina Turner, Fagamalo is not only a master of the ‘flam and glam’ with all the poise, moves and a ‘rockaria’ vocal range, but can also pull his character’s personality right back, showing sensitivity and humility. This is especially apparent during Lola’s efforts to fit in with the northern factory crowd by dressing down and acting ‘normal’. There’s also the heartfelt and affecting ‘Hold Me in Your Heart’ that Lola performs at his dying father’s rest home. Throughout, Fagamalo not only sets a high performance standard but shows plenty of generosity towards his fellow community cast members.
Local, Lyndsay Yeo continues to make great progress in musical theatre. Complementing Lola, the role of strait-laced Charlie – ‘Prince’ and heir to the Price family shoebox – fits Yeo like a well-made pair of brogues. He portrays the temperamental, self-doubting and career-choice conflicted ‘Mr Price’ with a well-pitched vocal dexterity and intensity, accompanied by convincing angst.
Kinky Boots has plenty of roles for established and emerging local talents. Among those making the most of this opportunity are Tamzin Price as a winsome Lauren, Keiran Murphy’s folksong singing Harry, a pugnacious Jayden Colban as Don, Erica Ward’s stroppy Trish, Milana Mariu-Reade as an emotionally manipulating Nicola, and the colourful bevy of Lola’s ‘transgentry’ Angels.
Kinky Boots is a show with heart and (dare I say it) soles, humanity, and humour. Auckland and Waikato-based director Richard Neame and his production team underpin this entertaining frolic with sound performance values, slick scene changes and lighting cues, and plenty of pace. There may have been a minor stutter or two and the odd slice of overcooked music mix, but these were fairly fluently resolved.
Backed by a tight and tuneful 11-piece band, Kinky Boots has all the grooves and the moves, the coifs and the cossies, the appeal and warmth to welcome in spring with a high-stepping froufrou fling.
Go along, have fun and dare to let these kinky boots ‘walk all over you’. These boots be made for loving and that’s just what you’ll do.
Copyright © in the review belongs to the reviewer
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