NATURAL HABITAT
Fringe Bar, 26-32 Allen St, Te Aro, Wellington
24/02/2016 - 25/02/2016
NZ Fringe Festival 2016 [reviewing supported by WCC]
Production Details
Award-winning performer returns to the NZ stage after 8 years!
“Outrageously talented” – Timeout “A phenomenal acting talent” – Sydney Fringe Blog
“Bridie is amazing. Even her talent’s got talent!” – David Collins, Umbilical Brothers
“Awkwardly funny and sure to delight.” – The Brag
Returning to the New Zealand stage for the first time in eight years, award-winning performer and playwright Bridie Connell takes to the stage in her character comedy Natural Habitat.
In her one-woman family reunion, Connell pairs her larger-than-life characters – from washed up Country and Western star Uncle Raymond, to 90 year-old battle-axe Doris – with her trademark warmth and eye for human emotion, making Natural Habitat at once funny, awkward, and often moving. A show about family, belonging, and finding where you fit, any audience can relate … although there will be cringe inducing times they’ll wish they couldn’t!
… Oh, and it’s a musical.
An official selection of the Sydney Fringe Comedy program, Natural Habitat is written and performed by one of Australia’s most exciting emerging (and adopted!) talents. A veteran of Project 52 (Time Out Sydney’s Best Comedy Room Winner 2010), Impro Australia and a National Theatresports Champion, Bridie pairs larger than life comic characters with an unfailing eye for human emotion. Her previous, award-winning play Ebony Tears was a sad but funny look at the consequences of drink-driving and was performed around New Zealand to over 25,000 high school students.
The Fringe Bar,
February 24 & 25, 7pm
$15-20
Theatre , Musical ,
Endearing characters, clever lyrics, stylistic compositions
Review by Jo Hodgson 25th Feb 2016
Natural Habitat is a clever piece of ‘slice of life’ theatre. It reunites a family in small town New Zealand to celebrate 90 year-old Doris’s birthday, bringing all the awkwardness, past baggage, foot-in-mouth gaffs and moments of heartfelt joy that one might expect at such a gathering.
Playing all the characters herself, Bridie Connell takes us on an insightful and humorous journey of family: Doris’s daughter and nervous party host, the matronly Janine; her cynical brother Phil; Uncle Ray from Oz and his estranged son Hamish; and Jesse the young star-struck cousin.
The characters all have a depth that take them beyond just being clichéd and the humour moves from being both pointed to often endearing.
One of the shows strengths and pleasures is watching Bridie deftly sketch a character with accents, visual quirks and mannerisms then paint this with a spectrum of colour through their stories and engaging dialogue.
For me, the added bonus is that this is also a musical. Musical director /pianist Al Haire creates wonderfully stylistic compositions to accompany Bridie’s clever lyrics, drawing on the characters’ personalities and back stories, including fun motifs of the bird dance, early harpsichord to accompany the somewhat ‘UK affected’ Hamish and cinematic rippling soundscapes for an epic tale of being lost on the shores of Loch Lomond – alluding to the message of finding oneself and finding ones natural habitat.
The show title Natural Habitat intrigues me. How can a birthday party reunion be likened to a Natural Habitat? As the online Free Dictionary has it:
hab·i·tat (hăb′ĭ-tăt′) n.
a. The natural environment in which a species or group of species lives:
b. A habitat can often be home to many different organisms.
For this show we have to look beyond just a physical location although the Fringe Bar stage does lend itself well to the production, decked out in a community hall party feel with the audience being invited to join in with family toasts as the distant cousins.
In this show the habitat is about memories, journeys and experiences. The family habitat is home to many different personalities, often in this case not the most comfortable or easy-going. It is here they come together in a familiar place they either call home, or once called home, with the need to belong, connect and be seen for who they are.
Bridie Connell herself has returned to her habitat of New Zealand after a long period away and given the performance we see tonight, she is definitely in her Natural Habitat both in the writing of this play and the performing of it.
Copyright © in the review belongs to the reviewer
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