THE LITTLEST NINJA
The Court Theatre, Bernard Street, Addington, Christchurch
07/07/2018 - 21/07/2018
Production Details
THE LITTLEST NINJA STANDS TALL AT THE COURT THEATRE
Ninjas are sneaking into The Court Theatre these school holidays to entertain the kids of Canterbury in The Littlest Ninja.
Written by former Court Jester and current ‘card ninja’ comedian Javier Jarquin and directed by current Court Jester, actor and writer Kathleen Burns, The Littlest Ninja is guaranteed to make your little ones giggle.
The play follows Miki, a small aspiring ninja, who learns that being true to yourself and standing out (or in this case, being too small to stand-out) is better than pretending to be someone that you’re not.
As Burns describes it, “The Littlest Ninja is about the plight of one plucky little girl who wants to be the best ninja that she can be – but thinks she’s not strong enough. When your strengths are different to everyone else, it’s easy to think you’re weak. Or not good enough. Miki has to learn to use her unique talents so she can become the best ninja she can be!”
Miki lives in a temple with fellow ninja Genki. The pair are charged with protecting an ancient scroll that contains precious ninja secrets after their master leaves the temple to enter a deep meditative sleep.
Genki, a stereotypically tall and strong ninja who doubts Miki’s ability to be a ninja, will be played by Cameron Douglas (most recently seen as Saturninus in Titus Andronicus), while little Miki will be played by third year NASDA student Reylene Hilaga making her professional theatre debut. Bianca Seinafo (most recently seen as Elizabeth in In the Next Room, or the vibrator play) will be playing both the master of the temple and the evil Hanzo, Lord of Trickery, who is on the hunt to steal the ancient scroll.
Burns is excited to start work with her cast, saying, “It’s going to be great having Cameron and Bianca’s experience on stage working with Reylene as she takes this wonderful stepping stone, embarking on the beginning of her career.”
Burns, who has been involved with kids shows at The Court Theatre since her 2010 performance in Jack and the Beanstalk alongside writer Javier Jarquin and current Court Theatre Associate Director Dan Bain, has had a love of theatre since a young age.
“My grandad took me to the theatre and it was so special – it was the thing that grandad and I did together. I can remember him taking me to see The Sound of Music and being so absorbed in what was going on and so lost in the reality that, at the end when all the von Trapp kids go ‘goodnight’ and run up the stairs, I stood up in my seat and started waving goodbye to them, because there was no fourth wall for me. I felt like I was in their living room with them, having this magical experience, and I hope I can give that to kids in The Littlest Ninja.”
She’s also hoping that kids leave with a few ninja skills of their own.
“My hope with this show is that parents all over Christchurch are sick to death of ninjas within two weeks because the children will not stop playing ninja animal styles. You know it’s been a good kids show when you hear from the parents that, two weeks afterwards, they’re still playing the game of the show.”
Children who love the big characters and physical jokes that are characteristic of The Court Theatre’s kids shows don’t need to worry about not knowing much about ninjas, with Burns saying, “Audiences don’t have to already love ninjas… but by the end they will.”
The Littlest Ninja
at The Court Theatre as part of KidsFest
7 – 21 July 2018:
Monday – Friday: 11am and 1pm
Saturday 7th and 14th July: 11am
Saturday 21st July: 1pm
Relaxed Performance: Saturday 21st July, 11am
Bookings: phone 03 963 0870 or visit www.courttheatre.org.nz
Theatre , Family , Children’s ,
1 hr
A bright new tale told with theatrical verve
Review by Lindsay Clark 07th Jul 2018
The Court’s contribution to KidsFest is a refreshingly original and colourful one. Ninjas are rare enough in Christchurch for this cheerful tale of ‘the little ninja who could, to tickle the imagination of the target audience (ages 3-7) and well beyond.
Both writer and director are experienced Court Jesters with all the physicality and audience engagement that implies, so the pace and humour of their latest project is assured. The charmingly transformed mainstage into Japanese temple and forest (advisor Richard Van Den Berg) and lovingly detailed costume (Deborah Moor), add to the impression of serious craft.
Miki, the littlest ninja trainee, is not doing too well in the traditional arts and is a constant disappointment to herself, though that does not stop her from trying. She just does not stand out in the emphatic way a ninja should. The running gag goes, “I didn’t see you there.”
“I’ve been here all the time.”
The role is appealing and given sparkle treatment by Reylene Hilaga, playing opposite the experienced and energetic Cameron Douglas as senior ninja Genki. Their training and vocation is overseen by the Master, stern but fair and strongly played by Bianca Seinafo using a clever puppet, when she is not doubling as the villainous Hanzo.
This ‘master of trickery’ is after the sacred ancient scroll which has been guarded in the temple through the ages as the source of ninja wisdom. The courage and resourcefulness of Miki is tested when she alone manages to outwit the wily villain and her enterprise is rewarded by the recognition she has so craved.
On the way, a heap of ninja doings involve a willing audience. We are instructed in the style of the tiger, the eagle and even the praying mantis. Our own stylistic discovery is the butterfly and its effectiveness is neatly woven into the events that follow.
The little folk in the audience are reassured that everyone has a unique strength to offer and that we can find our own through being brave and determined. The wisdom is lightly imparted though and the real treasure of the outing will be in a bright new tale told with theatrical verve.
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