YouDance 2014
04/06/2014 - 05/06/2014
Production Details
YouDance celebrates youth choreography and performance, showcasing the talent of youth in secondary schools and youth dance companies. Let our young dancers and choreographers show you what they are capable of! Outstanding work is being produced in dance in secondary schools and youth dance companies outside of school. YouDance shares this artistic expression with you.
Now in its third year, YouDance 2014 includes dancers and choreographers from:
Pointy Dog Dance Company, One Step Beyond, Boyzdance2; Auckland Girls, Takapuna and Mt Albert Grammar Schools; Rangitoto, Avondale, Rutherford, Glenfield, Ormiston Senior, St Kentigern, Western Springs, Howick, Tauranga Girls, St Dominic’s, Glendowie Colleges and Kristin Senior School.
Each programme will be different, so come both nights! Programme details and groups will be available on the YouDance website from the end of April at www.youdance.co.nz.
YouDance provides a non-competitive, collegial, positive environment for youth in dance. YouDance values excellence, learning through sharing, and diversity.
YouDance is presented by Bounce NDN – all kinds of dance for all kinds of people.
Artistic Director: Jacqui Cesan
Chair: Patrice O’Brien
Venue: Maidment TheatreRunning time: 1 hour 30 minutes, no intervalTelephone bookings and enquiries: (09) 308 2383
Wednesday 4 June
One Step Beyond, St Kentigern’s College, Takapuna Grammar School, Avondale College, Glenfield College, Diocesan School for Girls, Western Springs College, Massey High School & St Dominic’s College.
Thursday 5 June
Pointy Dog Dance Company, Rutherford College, Rangitoto College, Mt Albert Grammar School, Ormiston Senior College, Kristin School, Boyzdance2, Howick College, Auckland Girls Grammar School & Glendowie College.
PROGRAMME NOTES
Note: Numbers refer to the NCEA Dance Achievement Standard that the work was made for, where this has been the case. For example, NCEA Dance Achievement Standard 3.1 Produce a dance for performance. Common standards include:
3.1 Produce a dance for performance.
3.2 Choreograph a dance to develop and resolve ideas
3.3 Perform a solo or duet
3.4 Perform a group dance
3.5 Perform a repertoire of contrasting dances
2.1 Choreograph a group dance to communicate an intention
2.4 Perform a theatre dance to communicate understanding of the dance
2.5 Perform a repertoire of dance
Programme 1 - Wednesday 4 June
One Step Beyond, St Kentigern’s College, Takapuna Grammar School, Avondale College, Glenfield College, Diocesan School for Girls, Western Springs College, Massey High School & St Dominic’s College.
Young and Beautiful Avondale College 2.2, 3.2
Student choreographer/dancers: Kayla Brall, Alea Carson-Haunga, Lucy Dawber, Minnie Fuangkhajornfung, Talei Jakicevich, Taylor Nathan, Tori Penfold, Mikaela Pihema, Shannon Pretorius, Zoe Purdon, Stacey Purdon, Josie Sharman, Lorna Tollemache, Natasha Van Etten.
Sound: “Young and Beautiful”, Lana Del Rey
The piece explores the idea of self-worth, the apprehension of not being accepted and is portrayed from each dancer’s perspective.
Harakeke Diocesan School for Girls 3.4
Adult choreographer: Melanie Turner
Dancers: Rebekah Harris, Shontelle Scott, Sierra Sewell, Sophie Wilton and Joyce Wong
Sound: “Harakeke” by Tahu (Henare Walmsley, Alistair Fraser, Michael Hogan), “Session”, Linkin Park, “Interlude”, Tahu
Harakeke and piwakawaka, flutter and flit. The qualities, relationships and movement of harakeke, piwakawaka and the (sometimes stormy) native bush of the Waitakeres - fluttering flax, flitting fantails, irridescent nikau and the rich humus of decaying leaf matter. Layers of symbiosis, quietly growing....
Harakeke grew from exploring my turangawaewae or place of belonging.
Stand Up Diocesan School for Girls 3.2
Student choreographer/dancers: Shontelle Scott, Sierra Sewell, Sophie Wilton
Sound: “Lali” by Paddy Free, with Richard Nunns
Our dance is based on the quote ‘Stand up for what you believe in, even if it means standing alone.’ It is based on the ideas of unique individuality and being confident in oneself. We mainly want to highlight the idea of breaking boundaries that stop us from being who we are and not following the crowd. We also want to emphasise that standing up for what we believe in is not always an easy task but sometimes we are confronted with barriers that we have to overcome.
Breath Diocesan School for Girls 3.2
Student choreographer/dancers: Rebekah Harris, Kathleen Williams, Joyce Wong
Sound: “Hau” by Hirini Melbourne, “Tumatatakokiri” by Richard Nunns
“Gasping for breath he catches glimpses of true spirit, he runs wishing he could fly.”
This choreography explores an individual’s journey to discover true identity by searching within heart, soul and breath, and overcoming external barriers in order to embrace and express oneself.
We Caught Me One Step Beyond
Adult choreographer: Grace Woolett and dancers
Dancers: Emma Barnes, Emma Clavis, Cassidy Coburn, Jade Fletcher, Emma Lane, Alanna Main, Natalie Modrich, Alayna Rennie-Cook, Natasha Williams
Sound: “Rooms of Emptiness”” by Yakamoto Kotzuga; Neon Gumbo by Janelle Monáe
The pathway through youth can bring with it a sense of distance and isolation. As we make our way through the challenges of these years, community is extremely valuable in the development of self-confidence. This work follows the performers through their journeys from places of isolation towards community, resulting in the harmony of the company. Through unity comes strength, power and support.
One Step Beyond is the youth company from Marian McDermott School of Dance, Torbay and is honoured to be invited to participate and perform “We Caught Me” at the Commonwealth Youth Dance Festival in Glasgow, Scotland next month. OSB strives to foster the creative spirit, inspire and extend talented teenage dancers. OSB work with contemporary dance teachers and choreographers and are given opportunities to choreograph their own works.
Magic To Do Takapuna Grammar School
Adult choreographer: James Luck
Dancers: Cactus Dance Company
Sound: “Magic to Do” by Stephen Schwartz
All the colourful personalities and characters of the circus, from the musical Pippin. Thank you to the New Zealand Dance Company for providing James Luck to work with Cactus Dance Company.
Genesis Takapuna Grammar School
Adult choreographer: Juliet Cryns
Dancers: Cactus Dance Company, soloist Ruby Koia
Sound: “One Step Beyond” by Karsh Kale
A matriarchal leader tests and blesses the ground ahead of her transient family group emerging and celebrating life.
Bless Takapuna Grammar School
Choreographed by the dancers, Adrian Smith and Alisha McLennan.
Performed by Integrated Dance Group, Takapuna Grammar School
Sound: “Love Life” by Netsky
An exploration of group qualities and patterns between chaos and order that can be prompted by a sneeze. Thank you to Touch Compass Dance Company for providing the workshops.
Bollywood Glenfield College
Adult choreographer: Brigitte Knight
Soloists: Megan Naicker, Ruhi Ramkissoon
Dancers: Ara Mae Adriatico, Aira Burias, Rose David, Christine Escandor, Christian Herrera, Aimee Palmer, Danielle Paul, Johnlevy Rocreo, Geirvy Salonga, Jo-Anne Salsador, Anfernee Sapon, Anwell Siena, Lia-Lai Tra, Rogan Tuamsapa.
Sound: DJ Nikhil
Costumes: Coralie Hale
Pretty Things Glenfield College 3.3, 2.5
Adult choreographer: Brigitte Knight
Dancers: Aira Burias, Shannon Corlett, Ruhi Ramkissoon, Johnlevy Rocreo, Anfernee Sapon, Shannon Scrooby
Sound: “Pretty Things” by Dylan Dray
Pretty Things is a pas de deux about power/control/gender/possession/identity. The work was created through tasked contact improvisation and collaboration with the dancers.
Untitled Western Springs College 3.2
Student choreographers: Sophie McIntyre, Edward Liu, Tessa Rogers
Dancers: Shota Kawakatsu, Sophie McIntyre, Edward Liu
Sound: String Quartert no. 3, “Songs Are Sung”, Henryk Gorecki, played by Kronos Quartet
Bridging the gap between familiar and unknown. In community we find strength to overcome fear of failure.
Isolation Western Springs College 3.2
Choreographer/dancers: Oliver Carruthers, James Lobaton, Ezra McDonald
Sound: “Broken”, Eden Mulholland
Whether it is feeling shy, self-consicous or left out, we ironically share feelings of isolation n common.
(mis?) Apprehension Western Springs College 2.1
Choreographer/dancers: Anahera-Hine-Moana Brown-Tapuikore, Lucia Hocking-Whitehead, Hayley Martin, Wetere Taka-Brown
Sound: “Retrograde”, James Blake
This dance explores fear of judgement and exclusion.
#Hashtag – an excerpt St Dominic’s College 3.4, 2.4
Adult choreographer: Santana Schmidt
Dancers: Kasanita Ataongo, Ashleigh Carnachan, Tsz Chow, Michaela Downey-Macbeth, Justin Hansen, Beth Humphrey, Melody Makarani, Susan McCluskey, Teal-Christina Slattery-Jacobs, Sophia Zandehbizadeh
Sound: “Disparate Youth”, Santigold
The intention of this piece is the indecisive manner we inhabit behind a screen that leads to our obsession with social media networking sites.
The In-Between St Dominic’s College 1.3
Adult choreographer: Santana Schmidt, adapted by Larissa Jay
Dancers: Jasmine Brokken, Nikki Coutts, Sonya Falen, Sawaka Fujii, Kimberley Halberg, Erina Jacobs-Noa, Talita Moata’ane, Taylor Paila, Maegan Perdido, Shannel Petelo, Jacinta Poasa, Danielle Rowan, Ayano Yoshida, Hana Yoshida
The group dance is derived from the idea of the “Va”; it is the bridge and our crossing, our transition from life on earth to our continuation of life in the spiritual realm.
A Second Chance St Dominic’s College 3.1
Student choreographer: Sophia Zandehbizadeh
Dancers: Teal-Christina Slattery-Jacobs, Justin Hansen
Sound: “Deaf, Loud and Proud”, Sky Ong and Renny Goh - Black Forest
The dance is about a woman who was deaf and received bilateral cochlear implants.
Thursday 5 June - Programme 2
Pointy Dog Dance Company, Rutherford College, Rangitoto College, Mt Albert Grammar School, Ormiston Senior College, Kristin School, Boyzdance2, Howick College, Auckland Girls Grammar School & Glendowie College.
Lego House Glendowie College
Student choreographer: Vicky Wong
Dancers: Vicky Wong, Sarah Bradley, Lauren Hubbard, Lucy Mills, Paige O’Connor, Grace Stephens, Kate Turner
Sound: “Lego House”, Ed Sheeran
“Lego House” is about recognising your differences and accepting people for who they are. It incorporates the idea of friendship through acceptance and portrays the emotional journey that comes with it.
Pai’s Speech Mt Albert Grammar 3.1
Student choreographer: Tessa Cochrane
Dancers: Issie Cassidy, Deborah Fletcher, Camille Hay, Celia Hext
Sound: Pai’s monologue, soundtrack to the film Whalerider
Don’t Settle Mt Albert Grammar 3.1
Student choreographer: Deborah Fletcher
Dancers: Tessa Cochrane, Hannah Dowsett, Eleanor Fletcher, Claudia Howlett, Ollie Mathiesen, Isaiah Teleiai
Sound: “Settle Down” by Kimbra
Don’t settle for anything below your expectations. We need to not grow accustomed to something that is not equal or right, or below what we deserve.
Birds, Trees Then People Mt Albert Grammar 3.5
An excerpt from original choreography by Shona McCullagh for the New Zealand Dance Company, adapted by Samantha French.
Dancers: Grace Drummond, Georgia Johnson, Gabriel Sutton, Isaiah Teleiai
Sound: “Mondo Rondo” by Gareth Farr, performed by the New Zealand String Quartet
Birds and people share common characteristics - both are territorial and vocal in competing for status.
Listen to Us Mt Albert Grammar 2.1
Student choreographers: Jonathan Osborne, Jackson Tuarae
Dancers: Celia Hext and choreographers
Sound: “Listen to Us”, Hazbeats and Tom Scott, performed by Home Brew and the Tourettes
The dance is about the poverty and unemployment epidemic in New Zealand, and the frustrations of the government.
We Got Rhythm Boyzdance
Choreography: Andrew Cesan and dancers
Dancers: Gabriel Sutton, Jackson Tuarae
Unbreakable Twins Rangitoto College 3.3
Student choreographer/dancers: Emma Barnes and Phoebe Lee
Sound: “I Was Here” by Beyonce
Exploring the effect of sickness on the relationship of identical twins.
Rivals Rangitoto College 3.3
Student choreographer/dancers: Mikaela Foy and Vicky Lourens
Sound: “Swine” by Lady Gaga
Anna’s Dilemma Rangitoto College 2.5
Adult choreographer: Ashleigh Morgan
Dancers: Shavaun Crump, Amelia Finlayson, Jade Fletcher, Lauren Gell, Ruby Hallett, Piyara Perera, Ashleigh Phillips, , Laura Philpott, Sophia Ramsay, Sarah Staveley Samantha Thomson, Louise Wilkie
Sound: “Scars” by Basement Jaxx
A take on Anna Teresa de Keersmaeker’s famous Rosas Danst Rosas. A choreography that lends itself to femininity and explores different dance devices.
Return to the Dawn Rutherford College 3.1
Student choreographer: Xavier Breed
Dancers: Aniva Feau, Leticia Fortes, Tasolo Sila, Petmal Lam, Janine Paul, Madi Sutherland, Annika Van Vliet
Sound: Te Vaka
‘Return to the Dawn’ is inspired by the response of pacific island families and the police force to the Dawn Raids, where over-staying pasifika were forced to leave New Zealand and return to the islands.
Untamed Rutherford College 2.4
Adult choreographer: Perri Exeter
Dancers: Boston Adams, Michelle Brunt-Tiueti, Aleesha Conway, Holly Crisp, Tingting Cui, Danisha Dadley, Jayd Dayaram, Sushmita Devi, Makayla Exeley, Petaia Fata, Holly Ireland, Mako Ishida, Sharon Kung, Jade McDonald, Siobhan Martin, DeAngelo Naylor, Tori Neho, Jasmin Nicholls, Simon Pekepo, Brianna Shean, Shayal Singh, Samantha Tonkin, Morgan West, Nana Yahata.
Sound: “Sapasui” by Te Vaka
“Untamed’ is based on the idea of half humans, half animals coming together to protect territory and avoid being hunted.
Iko Iko Rutherford College 3.4
Adult choreographer: Perri Exeter
Dancers: Claudia Barnett, Aniva Feau, Leticia Fortes, Petmal Lam, Kathryn Li, Tayla Merrett-Emerson, Joy Ou, Laisla Palenapa, Janine Paul, Michael Samu, Tasolo Sila, August Smith, Madi Sutherland, Tyler Tamati, Landa Tupai, Mela Vili, Jonyne-June Waenga, Olivia Wilcox
Sound: “Lost in the World”, Kanye West; “Iko Iko”, The Dixie Cups; “Double, Bubble Trouble”, M.I.A.
Iko Iko is based on childhood memories, experiences from the womb to lunch times in the playground, hyperactivity and dressing up to create a make-believe world.
Broken Pieces Howick College 2.1
Student choreographer/dancers: Katherine Burgoyne, Kimberly Green, Nicole Green, Alysha Hardey, Bronte Kent, Emma Parker
Sound: “Where have all the children gone” by Joseph Kerschbaum; “To build a home” by Coldplay
This dance tells the story of a sisterhood formed on the basis of rejection and hurt, building a union of support and love.
Sustineo Howick College
Student choreographer/dancers: Katherine Burgoyne, with Viktoria Metz
Sound: “Grosse Fuge”, “Cavatina” – Ludvig van Beethoven
As human beings we need support from other human beings, given and returned.
Three Stories Howick College 2.2
Student choreographer dancers: Kimberly Green, Bronte Kent, Mylinh Luu
Sound: “Cry No More” by The Vaults, ‘Latch” by Sam Smith, “End of Time” by Beyonce
Three individual stories based on the element of Earth.
Glossy Specks Pointy Dog Dance Company
Adult choreographer: Zahra Killeen-Chance
Dancers: Jessica Dallas, Camille Hay, Lucia Hocking-Whitehead, Te Manahou Mackay, Meg Mahy, Grace May, Daisha Salanoa, Molly Snowden, Ruby Wilkinson.
Sound: “Princess” by Leno Lovecraft
A pop princess’s unreality.
These Guys Pointy Dog Dance Company
Adult choreographer: Lydia Zanetti and dancers
Dancers: Jessica Dallas, Camille Hay, Lucia Hocking-Whitehead, Te Manahou Mackay, Meg Mahy, Grace May, Daisha Salanoa, Molly Snowden, Ruby Wilkinson.
Sound: “Confessions of a Pig”, Damon Albarn / Shi-Zheng Chen, performed by Monkey
People can be creatures, crowds and machines. These guys are people too... in case you were wondering.
Running Ormiston Senior College 3.5, 2.5
Choreographers: the dancers, with Barbara Ngawati
Dancers: Natasha Aiono, Bryleigh Green, Fetuao Papalii-Tigifagu, Julie-Anne Pedrido, Lasharn Prakash, Nikita Ridgley, Bhavya Rishi, Trisha Tan
Sound: “Runnin’”, David Dallas
Life is a race – we must all run towards our dreams and aspirations.
Kirimate Auckland Girls Grammar School
Student choreographer: Madi Davies
Dancers: Madi Davies, Shelly Lloyd, Lavender Tuigamala
Sound: “Silentium”, Arvo Part
This piece focuses on the effects of death for the whanaupani or immediate family. Kirimate means ‘the skin of the dead’.
Speaking in Tongues St Kentigern College
Student choreographer: Rachael Lewis
Dancers: Loren Abel, April Fini, Rachael Lewis, Greer Ritchie
Sound: “Speaking in Tongues”, Sheila Chandra
My dance is based on the idea of Hindu reincarnation.
Find Your Tempo St Kentigern College
Student choreographer: April Fini
Dancers: Loren Abel, Ashleigh Clark, Ishara Dhambagolla, April Fini, Sarah McQueen, Melissa Porter, Phoebe Riddell, Phillipa Smith, Bayllee Vyle
Sound: “Hearts Cry”, Drenz
Identity is the theme of my piece with the idea of inner personalities being influenced and concealed by society. Therefore my dance is based on self-discovery and the ability to allow true colours to shine through.
I’m In Here St Kentigern College 2.1
Student choreographer: Amy Oldham
Dancers: Sheridan Bennett, Lily Carson, Lucy Floyd, Rachael Lewis, Amy Oldham, Emma Porter, Greer Ritchie, Delilah Thomson, Charlotte Walkley
Sound: “I’m In Here”, Sia
The purpose of this dance is to portray a physical representation of being mentally pulled in two different directions when trying to make a difficult decision.
BOTH SHOWS
A HUGE THANK-YOU to our primary sponsors ASB Trust and Dance Studies, Auckland University for their generous support.
Also to Ralph Buck and Sarah Foster-Sproull at NICAI, Auckland University, Catherine George at ASB Trust, Margo Athy at Maidment Theatre, Taiaroa Royal, Nicholas Rowe, Sarah Knox, Melanie Klaassen, Raewyn Whyte, Georgia Pardoe, Susan Jordan, Carrie Rae Cunningham at Tempo, Nina Gastreich, Brad Churcher, Phantom Billstickers, Nigel Grimshaw-Jones at Touch Marketing, and all the fabulous teachers and students who make YouDance possible – thank-you!
Crew
Artistic Director Jacqui Cesan
Project Manager Melanie Turner
Stage Manager Carol Harding
Lighting Michael Forkert
and Sound Joshua Bond
Marketing and Publicity Fiona Masters
Ticketing Gary Barker and Samantha Barrett
Front of House Ben Theodore
Photography Nina G Photography
Videography Brad Churcher, ten80i
University of Auckland Liaison Sarah Foster-Sproull
Presented by President: Patrice O’Brien
Secretary: Melanie Turner/Maria Gray
Northern Dance Network PO Box 96-207 Balmoral, Akld 1342
2 hrs each show
Youth dance popular with peers
Review by Briar Wilson 06th Jun 2014
2014 is the third year that dance students of secondary school age have presented work in this non-competitive Festival environment and the YouDance event is drawing more and more interest. Opening night, for programme 1, brought a theatre almost full of schoolmates.
Eight schools, and one youth dance company, presented nineteen pieces (twelve related to the dance curriculum) with about 130 dancers. The groups took advantage of the professional theatre facilities at the Maidment to gain good stage experience. One group used props and generally the costuming was either black or white, or both. Most of the energy came from movement.
The Cactus Dance Company from Takapuna Grammar gave us colour (with sequins!) and movement, flipping onto the stage to open the curtains with the rousing Magic To Do. This was musical comedy, but in the school’s next piece, the Integrated Dance Group’s Bless, a large group weaving to and fro showed simple movements to be as successful as any. The Company also presented Genesis, with an original entry and exit of part of the group who pushed themselves along the floor on their backs, head first!
St Kentigern College’s three pieces each had a student choreographer. Find Your Tempo had a lyrical feel, I’m in Here was darker and Speaking in Tongues recalled India but not via Bollywood or bharata natyam. The movement language from the college was contemporary, well rehearsed, and with the occasional look of ballet.
Glenfield College turned on the hit of the night – Bollywood! An enthusiastic large group of 24, with six guys, were fully costumed in orangey-red (with sequins) and included jazz and hip hop as well as Indian poses to a strong quick beat. Their other piece, Pretty Things, was quieter with three pairs in casual gear finding the floor in interesting ways.
Three choreographer/dancers from Diocesan School for Girls opened Breath with a column – punctuated by elbows akimbo – to make good shapes to music from Hirini Melbourne or Richard Nunns. In Stand Up, another trio opened with one in sideways splits on the backs of the other two. Five dancers in Harakeke made use of all their bodies on a shadowy stage. In all pieces the movement was well thought out.
Avondale College in Young and Beautiful had fourteen choreographer/dancers who set the stage like break dancers, with up to four taking turns to perform in front of the rest, sitting on forms watching from the back. Movement was quite complex and interesting.
Western Springs College pieces were all choreographed by students. Three guys in Isolation didn’t overuse their athleticism in exploring their theme, and in (mis?) Apprehension two pairs worked in a gentler way with a similar theme. The floor was used well by two guys and a girl in Untitled, and they also used their bodies well.
The youth company, One Step Beyond, showed publicly for the first time its piece, We Caught Me, that is going to the Glasgow Youth Dance Festival. Choreographed by Grace Woolett, the piece developed beautifully with nine well trained dancers who in a group became an organism.
St Dominic’s College built up The In-Between for a large group, with a Pacific Island feel but also with their own moves. In A Second Chance a student choreographer developed a lively duet, while in #Hashtag – an excerpt ten dancers moved quickly, running in and out, making use of all the body.
Eleven of the dances were choreographed by students and were competently developed, with plenty of thought given to their entry onto the stage and a final goodbye exit, and well rehearsed, strong dancing with no shaky back rows of less confident movers. This year’s level of accomplishment promises a good future for dance lies ahead.
Copyright © in the review belongs to the reviewer
A new generation's artful ensembles
Review by Felicity Molloy 06th Jun 2014
Going to a dance show at the onset of winter reminds me of being in London. I am rugged up and the buzz of preshow conversation; somewhat loud as it’s a mostly teen audience, smacks of a season of fun in the offing.
In its third annual season of teen dance on show, the second night programme of YouDance 2014 is an artful ensemble of wonderfully engaging contemporary dance. Opening and closing with Rutherford College dancers in works made by Perri Exeter, from the first moments to the last, the evening presents assured selections from the distinctively do-able creative rubrics written into NCEA Dance Achievement Standards, combined with a mishmash of less than earnest themes.
Choreographic themes are limited to the artful although recognisable collating of bodies and an increasingly satisfying merge of cross cultural, spatial and movement vocabulary choices. Amongst them, brief whispers of new solo movement are provided by Kimberley Green, Bronte Kent and Mylinh Luu in Three Stories from Howick College, and there is great ensemble work within the larger groups: Anna’s Dilemma from Rangitoto College, Iko Iko and Untamed from Rutherford College, Running from Ormiston Senior College and the artful Pointy Dog’s primary work, These Guys. I note that these works are made by adults, but I am also mindful of brave new work by more of the Howick College student choreographers.
Broken Pieces is collaboratively choreographed by Katherine Burgoyne, Kimberley Green, Nicole Green, Alysha Hardey, Bronte Kent and Emma Parker from Howick College. As with Don’t Settle by Deborah Fletcher (Mt Albert Grammar), and Listen to Us by Jonathan Osborne and Jackson Tuarae (Mt Albert Grammar), a lack of movement sophistication is not a problem as the focus lies in their commentary on relevant social themes. Other than these, I am left with a sense that the youth of day have very little to worry about.
It is not so much the adept choreography of YouDance that makes the event memorable, rather it is the soulful, self-confident dancers who steal the show. Technical assurance of dancers is a loaded conversation in programmes about and for New Zealand youth, and I am mindful of proximity between the more virtuosic technicality of dancers trained in studios (where mostly they are spending more hours on the mastery of their body craft) and the explorative meditations of dancers in high school.
In YouDance there are both groups of dancers. They each engage with musicality, belonging to the movement, taking some risks in movement and showing a sense of connection to each other. Some of the dancers, particularly the delicious satisfying click and jangle of the two tappers, Gabriel Sutton and Jackson Tuarae (Boyzdance) in We Got Rhythm, also connect strongly with their audience. This is not however the only foray into expressivity and connection.
And there are dancers whose technical virtuosity and meditative expressiveness come together in a very satisfying fusion – they dance really exquisitely and make the night a fest: Camille Hay, Pointy Dog and Mt Albert Grammar; The Unbreakable Twins, Emma Barnes and Phoebe Lee (Rangitoto College), and the beautifully soft trio in Kirimate, Madi Davies, Shelly Lloyd and Lavender Tuigamala (Auckland Girls Grammar), exemplify the purpose of this beautiful event: the vision, dreams and dances of youth in a new generation of exploration and artistic creativity.
Copyright © in the review belongs to the reviewer
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